It is dawn.
In the courtyard of a prison, under the scaffold, a platoon of widows waits for
the execution of Macheath. They are his women: Polly, the wife, along with her mother, the entrepreneur Peachum; Lucy, the lover, daughter of Tigra, police chief; Jenny, prostitute and ex-lover. Macheath’s voice-off traces back the plot. We’ll never se him, but
he is the only man: eternally absent, loved, hated, and eventually gnawed to the bone.
These women have extreme feelings and beastly behaviours, they are funny, disturbing, ironic characters: in other words, drag queens. The work is inspired by Gay’s “The Beggar’s Opera“, a mix of classical music and drinking songs, “high theatre” and parody, arias and ballads.
We reworked the original play’s structure, putting on stage a biting satire and a story of love, death, sex and money, told with politically incorrect, black humor.